Tuesday, July 23, 2013

July Poetry, Week 3


Day 15


You Are Stardust
I see a comet of colors sweeping by 
in my garden, a peacock with a fiery tail; 
I see the glitter of the mollusk’s trail
over blades of grass that once were stars
you longed for when day broke 
the spell of night, its salmon face 
beaming light. This is the history
of our lovely rock, our teeming oceans
that lie upon the shore, running away
then returning like a pensive child
rejects its toy only to miss it sore.
We’re all related: snail & star,
blade of grass & peacock’s tail.
It’s a dialogue between mirrors.
We’re shadow and man come together 
after daylight when the sun is long, then goes
like tide and melody, like you and stardust.




Day 16 



The Room

Whatever it’s called, 
I like sitting there, or seeing it
from another room, frail light seeping
in from behind thin white curtains
to coat everything with itself.
I say it’s my pretty room, my soft
place, my blue cloud room, yet I cannot
name it well enough. I sit in it and feel 
the fizz of tide against my ankles, 
the crush of surf against my waist. If I lose
myself here, I can always find myself
rolling up on a beach like a shell,
filled with something delectable.
If I cup my hands over my ears,
if I blow breath out slowly, if 
I let myself drift on the silence
of the sunset, I am not afraid
to paddle out beyond the offing,
to wait for what might come.
Whatever it’s called, it calls me.
In the company of silence, I hear it.
I’m still thinking about you
when the eighth wave comes 
with its delicate belly, its lip
of foam. I’m still thinking about us
when the roar of the wave pulls
me under the way you always do
when we find love
has no limits or borders. No matter
what it’s called, this room, I sit in it 
and find the beginning of everything.





Day 17


Beached

Up it comes, rising in the storm like a ghost
from under the beach where boys and girls
make castles with pails of wet sand,
where teens learn about magnetism
in bikinis and speedos, where the aroma
of suntan oil and salt reign
over every summer day. Up it comes,
this pincke’s skeleton cared for by the sea
in thanksgiving for its rescues off shore.
That’s a pink, said Captain Dean,
nothin’ like ‘em to nose in and out
of a rocky coast.* The historical society
issues a stay away, itching on its own
to take souvenirs, just a few slivers 
of town history for display. 
Days from now, the pincke will vanish
into the sand again, hiding her secrets, her bones
trembling with every footfall overhead.


* lines from Kenneth Roberts’ novel, Boon Island 
[NOTE: I would not say "rocky coast" in one of my poems if it were not a quote]




Day 18


To a Pair of Old Poets

I’m reading Bly, listening 
like a donkey, ears flapped open,
waiting for a poem. My eyes are closed.
I see Donald Hall, old — with legs 
like a young poet — striding
across New Hampshire, pages
crammed into his pockets, shoved
into the waistband of his old man pants.
No one would confuse Bly with Hall,
mix up their lines, no one but me.
In my donkey state, they become one poet, 
all wood smoke, pine needles, & grump.

I’ll read Hall tonight, summon
ghosts, church singing, farmhouse attic
smells. Off in the woods, Iron John 
will beat a drum, make poems 
for all the wild hairy men who don’t. 
I’ll give up on which poet wins at cribbage,
which poet cares about life after death. I’ll go
on writing until morning, digging ditches
with no hope of treasure. If Ben the librarian
calls to say my book is overdue, I’ll say
it’s due after the last poem in it knows
the difference between Bly and Hall.





Day 19


Dreamland

As the hand vanishes, the child appears
to miss something, can’t recall
the taste in her mouth as milk,
waits for nothing she doesn’t know
she wants. Like me, missing you.
It’s an itch just below my skin, 
the slight feel of a breeze
on my cheek, there a moment
then gone, leaving me 
to wonder if it was there at all. 
It’s your voice not on the phone 
when I swear I heard it ring just now. 
All that’s there is a cold call, request 
to do a survey that will change the world.
It’s the dream I had this morning
beneath my eyelids:
your hand on my breast,
my breast brimming with milk, 
tingling with the pull of your lips. 
Feed me you beg, I’m your baby.
I wake to a wet place on my pillow.





Day 20



Sweet Territory

It plays again this evening:
in the mist of a memory, 
you wander on back to me, breathing 
my name with a sigh —
I feel young with you again, dancing 
in my parents’ living room,
them asleep upstairs, or not. I sing 
along with the music in my head, hear
you humming into my hair, feel 
your hand on the small of my back.
I am comforted by you, this 
younger version of you, 
in the sweet territory 
of silence, broken only by music.

The carrion artist works underground, works 
in darkness, is a thief.

When did you stop dancing? 
When did you stop singing? 
When did we stop?





Day 21


Travel Plans

Go to Holland, forget it isn’t Holland
now; look for fields of tulips
and windmills. Buy a copy 
of Hans Brinker for the trip. Book
a Rhine cruise from Amsterdam
to Basel; be the only one aboard
who speaks English; eat asparagus
with your fingers at the Captains Table; 
play cards until midnight, drink 
strange liquors in crystal glasses.
On the return train from Basel 
to Amsterdam, count your money —
save enough to buy tulips.
Open your English/Dutch dictionary;
practice saying, let a hundred flowers
bloom, and only one die.
Laat honderd bloemen bloeien, 
en slechts één bloem sterven

Go to Holland, forget everything else.

Sunday, July 14, 2013

July Poetry, Week 2


This week's poems range widely over the landscape of my poet's brain, from simple appreciation of the natural world to a world where human beings mess it up. There is no accounting for where my head goes when I sit down to write. I just sit and consider the prompt each day, waiting and watching for the ink to begin. Hope you find something here to inspire you or to make you think.



Day 8


In the Offing   (Monhegan #15)

See how heat rises
out of the ocean, proof
the sky loves what’s hidden
under moving glass. Origami
birds and fishes do the birdy-fishy
things they do, swept
by currents above, below.
Fire kites, death lanterns 
to celebrate lives extinguished 
by loneliness. Every ocean’s a magnet, 
every river pulled along by the moon
with no particular harbor in mind.




Day 9 


Morning

The heron, arriving 
at a canvas of pure titanium,
lights — an elegant pose,
not unlike you stepping
from the bath, gleaming.
Beads of perfume
fill the steamy air 
as you move into morning.
If a bird or a girl lights
with grace upon white,
then blue begins to burn
away, the peach sun rises
like a smile. The world begins
again, freshened and pure.




Day 10

Swim

The ocean she swims is not blue
or green, is the grey
most people think of as winter.
Its surface bulges over her back, legs
as she pushes out beyond
every frantic person on shore.

No longer a we, she is braver
than moments ago. She fears
nothing where yesterday every sky
felt like wool pressing against her face.
She is free of every part of herself
that was made of lead, of glass.

No moon rising over the lips of sea
will again cast a sad glance 
at her empty eyes, or spread its cold hand 
on the water, palm up to beckon 
her drowning. Safe now, she will swim miles
without fatigue, limbs light as sea smoke. 

Rolling like tide, she becomes new, the kiss, 
the embrace, the old problems bell buoys, 
ringing warnings. She ticks off the markers, 
swims without looking back, 
not hearing his voice faint from shore 
telling her he is sorry, he’ll give it another try.




Day 11 


Favors

There are always people here
asking for favors: cups of sugar
not the thing asked these days. 
The favors are greater
than sugar or quarts of milk,
require parts of me be given: a lock
of hair, a promise of time I’d saved
for you. I’ve been asked to jump
from a waterfall into shallow water,
unsure of my own survival, asked 
to write lies, to ride someone else’s dragon.
When I’ve refused, I’ve been asked 
to capture fireflies in jars, butterflies in nets, 
though I believe in freedom.
I have been caught in jars and nets, have struck 
against the glass until my wings broke. 
Poets should never spin nets of sugar,
but serve their favors plain,
or with cups and cups of rain.




Day 12


Sky

The sky is not a ceiling over my head,
not an umbrella opening or closing with weather.
It is a place where battles rage, where God
wins or loses depending on rough seas
and wind he invented to broom the atmosphere
of debris and mistakes. I heard from an expert
that you could get clobbered by angels
if you presume to fly, if you go 
to the realm they were given as a token
of appreciation for all they do for the world. 
No wonder then, that sometimes planes 
drop out of the sky, just like that. No bird strike 
to the engines, it’s cherubim, seraphim playing tag,
and you’re it. No allee allee in free for you
who dare to go where you are not invited.
The sky is not ceiling, not umbrella
but a place filled with citizens
who have a right to their own place.




Day 13


Gravity

The mask is the center of gravity
a heavy thing that’s grown
as you have. Mask on a mask,
your clown face is peeling, red
painted mouth turning upside down
when you relax or sleep. Under
porcelain cheeks, wet tears
corrode your skin to a kind of rust,
itch and sting. No wonder
you stay in motion, smiling
then going a bit crazy when it’s hot
or cold or someone thinks 
you’re who you’re not. Come
from underneath this thing, 
this grave thing you’re wearing
and see how breezes can turn tears
to lickable salt. Taste your real life,
discover the sun in your eyes
does not blind you. Try on your face,
find out who recognizes you.



Day 14

With Liberty and Justice for ...

The liberty bell stopped ringing
when it cracked, thudded to a dull
note, louder than a headache.
It’s more about the crack 
than liberty when anyone’s freedom 
gets mixed with crazy & out of control.
You can defend liberty to the death
until death comes along 
your street in the dark, until
your child becomes death. 
It’s all about the crack
when we sink back into the oozing fear 
that once split us. Call that fear liberty,
see the split in the bell widen, one
lie at a time. Legislated away
one right at a time, see liberty
(and justice for all) dull and go.

We have liberty of course, you say:
ringing like bells, waving like flags, 
marching like parades. 
We sing it, wear it on tee-shirts, 
fly it from porches, visit it at shrines to itself, 
touch its cold metal. But in the crack, 
deep in the crack, it’s still dark, 
growing something 
that looks like a monster.

Monday, July 8, 2013

July Poetry, Week 1


Day 1

Let’s talk a minute

If I could speak to you again,
this is how I’d begin:

I’d declare my independence
not so fiercely
as before, unleash myself
more gently from you
and not completely. A thin line
I’d hold, made of every word
you wanted me to have,
couldn’t get me to hear then.

I’d tether myself, loose
and easy, to your shirt pocket,
the one over your heart.
I’d pay attention
to your eyes this time, watch
for the small lift of the corners
that say I’m just trying to teach you.

I’d avoid being willful, 
wait until you finish your thought,
consider your experience.
No more making a face
when you say no, and trust me, 
little girl, it’s for your own good.

I might even ask for advice
now that I have the grown-up life
you warned me about,
that I felt certain I could handle
without your interference.

Just like when I was two, face
in hands, elbows on the table,
I’d say again let’s talk a minute.
You’d be king of my world
again; I’d be the only thing you loved.
for my father




Day 2 

How like a winter hath my absence been
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen!
What old December’s bareness every where!

— from Shakespeare’s Sonnet #97



Longing (variation on a glosa)

What old December’s bareness everywhere
that opens me to love’s abandoned prayers,
for all the drawings on the frosted glass
are code for what could not be made to last.

What freezings have I felt, what dark days seen.
You stole away my heart, then killed its dream
and made me live forever without hope
as ghosts of kisses prickle on my throat.

From thee, the pleasure of the fleeting year
has faded me from happiness to drear,
will n’er be more than ashes on the grate
that flutter there as I in vain hope wait

for one who will not utter words of love.
I fade to dawn, hear croonings of the doves.
In sadness on the icy wire they keen:
How like a winter hath my absence been.




Day 3

Strayed

Five bars from a song
wakes me this morning, a melody
that played every day in the 60s,
that reminds me of a night
at the dunes in Perkins Cove. You
with your arms out asking me
to dance; me singing 
over chords the tide played.
It’s a stray thought, a lyrical 
wander through time that wakes me.
Where was I all night that this
should be where I am at dawn,
feeling the spray on my face, 
strayed from time into once upon a time?





Day 4

Ars Poetica # 34

She is the one
who gave birth to his sonnets, 
to the poems of night
he jerked out
like comets from the Milky Way,
bone-naked, bare 
of adverbs, conjunctions
used spare, joining the legs
of stanzas or the beats 
between ventricles. 
She spoke French, easy tongue
and quick fingers, her accent 
purely ballade, gestures stroking 
his lines into melody. So it is: careful 
love and poetry, shame 
and hesitation, points of light 
and the blood of stars 
drenching the page, the final couplet.
Why is the sky so sorrowed overhead?
The white rose dies easily as the red.





Day 5

Held

The sky holds centuries of clouds
in its bowl, like plums ready to burst
for their ripening. There is rain
like sorrow, ready to wash in 
when life seems too cheerful to remain.

The sea holds time too, hidden
in its caverns miles down, guarded
by blind fish and monsters so terrible
they would die of fright if enough light 
cast their shadows on the water.

In every tree there is a lineage
of the Only People, stepping out in twos
or whole families. Some say the sap 
holds the blood of thousands, sweet food 
for those born at every joined branch.

The sky holds centuries
of memories, some fallen down as rain.





Day 6


Monhegan #14
after James Fitzgerald

By night, fisherman snug
their dories, bump together in threes,
light torches to fool the fish
into thinking the sun is out. 
Curiosity deadly, they leap
onto the nets. Over pipe smoke
and lit cigars seiners ply their trade, 
easier than hauling trap in waters
far from home, gentler lapping
in the gut between Monhegan
and Manana, still water fired 
orange, red, & yellow
where tomorrow the mail boat
from Port Clyde will carry away
the catch, traded 
for real dollars and beer.
It’s a life to die for, a place
of fire and water and Saturdays
at the Grange with island women.




Day 7


Dorothy Behind the Curtain of Music

Earbuds pressed in tight, foot tapping 
to an invisible beat, she makes poems 
from shadows in the café. Watching 
moments from lives she doesn’t live yet, 
she finds lines, weaves webs
of story with dreary men drooling in caffeine 
and low intentions, women dressed too young
for real commitment. Her address changes 
with the weather, a kaleidoscope of clouds 
flashes overhead. Behind the curtain
of music no one else hears, she is voyeur
and designer. She dreams in French, 
wakes in lands of wizards singing odes. 
Momentarily out of action, she writes 
on the sidewalk with chalk, taps 
the heels of her ruby slippers, 
hoping to find the secret way home.