Tuesday, May 21, 2013

May Poetry, Week 3


Day 15


Sleep Study


Dear Pôgwas Kisos

Alnôbaskwagia. You walk
in dreams of grandmothers’
stories and of tomorrows
that are on the horizon. 
21 wires teleport streams
of breath and heart and brain
to a room outside, to a woman
who cannot read the streams
of ancestry we send. In her world,
numbers and graphs, data
to analyze. In our world, yours,
it is dreaming and spirit. Trees
outside the window watch
as you sleep, breathe their own
into you. Birds wake you
with songs of happiness, of 
going on, of carrying streams
of stories into the earth. Let others
tell stories from the wires. You say
what you hear in the dreams
we send, sieved through the webs
in the corner of the window.

NOTE: Pôgwas Kisos = Snow Moon
             Alnôbaskwagia = I am an Abenaki woman






Day 16



Dear Relatives,

Alnôbaskwania, I dream
at the riverbank, catch
news from fish, from polliwogs
becoming their new froggy selves,
from pebbles rolling down
the ages with moss tied 
to their waists. 

I wake to birdsong and wind thumps,
like the drum that leads us in dance. 
I wake and walk Ndakinna
with soft feet, singing 
a green corn song in the garden.

I wake with your breath on me,
your blood in me, your eyes open.

I give it all back with chapters added
to the story, make each night
a night of praise. Alôbaskwania.


NOTE: Alôbaskwania = You are an Abenaki woman





Day 17


Dear Embryo,

You of not quite feet and hands,
better off than a blastocyte,
not so safe as a near-term fetus, you
with cells flying off 
the chart in growth, you unnamed
DNA organizing into someone
who might be worshipped
by your family soon enough
or might be terminated 
as an inconvenience.
How is it that you raise
so much controversy
over what to do about you?
How is it that some want you
to be less of a burden
to society, you who cannot feed
yourself for another three years,
cannot buy or grow your own food
for another dozen plus? 
How is it that some will kill
over the right to eliminate you?
What’s up
with all the fuss 
over whether or not you get funded
for college, have to wait in long lines 
to vote, or have the right to marry
that other little boy embryo 
growing down the street in Mrs. James?
Are you nervous? Where is this all leading?





Day 18


Dear Vincent,

I’d write this as a sonnet in iambs
if I could make the rhyme fit nice and neat,
but my meter’s meter seems somewhat jammed
and I can hardly count the doggone feet.
Is it that I am growing tired or old,
or has my poet’s brain come down with flu?
I see my rhyme and meter have gone cold,
and I don’t really know what I should do.
What say you take a break and come to help,
bring me chocolate or something strong to drink,
rub my shoulders or massage my scalp.
Look at this mess; the thing is on the brink
of making me give up poetry for good.
(Go on, tell me now if you think I should.)




Day 19


Dear Poet-in-Training,

Who am I but another trudger
in between publications, thinking
to help you. My right hand
stiffens, my fingers go numb.
My feet tap under my desk 
the same as yours, my eyes burn, 
my energy sputters like the candle 
at midnight, same as yours. 

Who am I to say a phrase is dull,
a line too awkwardly unmetrical,
a metaphor over-used and trite?
Who told you I’d be of help?

Winds will keep soughing
the lilacs out side my window, 
pushing the scent in for comfort,
still I will crumple the pages
and start over a dozen times. Cats
will keep fighting in the street,
my lines too, dying
over and over from the struggle.

It’s a puzzle we do, fitting image
with verb, holding our breaths
for the final picture. 
Who am I and who are you? 






Day 20



The Apology


First

let me say  (to myself) 
it wasn’t my fault,
then let me say I’m sorry,
then I’ll wait for you to say it.

Next

after I’ve apologized, conceded,
you say how right you are (always),
then let me say: you are so sorry.

Finally

let me declare the ritual done,
the game over.





Day 21



The Apology, part deux


I need one,
something heartfelt, 
blood-red words 
from your lips. Say them.
Not too much to ask,
really simple: open 
your mouth and spill it.
Say you were wrong,
not that you were not
entirely right. An apology.
I can hold it, a heart
without an arrow; I can see
it carved into the willow
that shades the yard, that wept 
over every argument. 

The bedroom clock clangs
a bit off key. It won’t keep time.

Tuesday, May 14, 2013

May Poetry, Week 2



Day 8

Ghost Bug
             for Cynthia

There it is, in her sock,
a hitchhiker 
brought in from the garden.
It feels the warmth
of her blood, tastes the sweat
of her shin. Boring deep
without a pinch, it settles,
grows fatter with its meal.

Soon she will grow mysteriously
ill, no signs of the deed
save a circle, like a bullseye,
a spot unnoticed for days.

Tiny intruder, pencil dot small,
and all this disaster. Not long
ago the whole thing maligned:
malingering, laziness, hypo-
chondriasis (accused like fibromyalgia
or chronic fatigue). Lyme.
Destroyer tick, riding 
on those pretty deer we feed,
lurking in the lush of the yard.





Day 9


Radicle

first of roots to grow,
like you from me, stretching
in my belly, attached and 
absorbing. I make food for you,
make a bed well mulched
with everything I have
that will prosper you
and make you ready 
for the day 
when first sunlight
strikes your face. I am yours,
my little radicle: your
terrarium & incubator, lover
of the unseen for 40 weeks,
but part of me I'll recognize:
little budding one, tiny vine
curled around my heart always.



Day 10

Radiotracer

Element 49, soft
fusible, post-transitional 
metal, rare. Useful
for liquid crystal displays,
touch-screens. Thin
blue line on the spectrum,
indigo blue: Indium.

Zinc gives it up, grains
of native metal,
like the people
of Ndakina, dangerous
in contact 
with those who don’t heed
the warning:

not of commercial importance.
Element 49, rare
low melting point.





Day 11


On Nashua Street

At night, tucked in upstairs
not ready to sleep; my eyes followed
the lights from cars passing 
on Nashua Street, beams swooshing
dormer windows, sounds 
like ships’ wakes or wind hushing.

Downstairs adult games, pinochle
or whist, cribbage (fifteen-two,
fifteen-four and two are eight)
and conversation I couldn’t quite hear.
Nana’s footsteps at the door,
milk and brownies for the sleepless.

On Nashua Street, memories
of happy nights under the roof 
that sags now, that soon will tumble 
and fall, a place where only ghosts watch 
the headlights pass, hear the swoosh 
of their own bedclothes.




Day 12


The Dress

In an acid-free box, folded carefully,
Mary Lincoln’s party dress, sprigs
of fading strawberries, green
and purple ruffs at the sleeves,
original lace where it would 
have encircled her neck. 

Oh how she tried
to cheer a nation newly at war, 
strawberry parties a spring answer
to the bloody war of brothers
raging to its grim conclusions. 

Mary, did you shop for hope? Did you go
to the countryside to gather it
in baskets, sweet fruit to quell
the bitter tastes of battle? 

Your husband worried for the nation, 
felt the pains of battle, wanted to hide
the strife, so he decreed to you: 
carry on my dear, cheer us with heart fruit
festivals, that this pain may pass us by. 

So you, Mary Todd, dutiful wife, 
donned blood-red strawberries on a field
of black silk, knowing in your heart
what mourning was to overtake us.





Day 13


The Last Poem

This is it, the last, really,
I mean it this time.

No more words or lines
traipsing across the page,
no more rhymers or metaphors,
no more meter, & for the love of God,
no more syntax. 

I want a rest, a vacation, a hiatus, 
maybe retirement on a porch 
where someone will come 
in the afternoons with chocolate-
covered berries, champagne
in a crystal flute. 

I deserve a poem-free life.
Wait a minute, that makes me think
about the way berries splash open
on the tongue, the way champagne
bubbles fizz the nose, the way a porch
opens memories of that aunt 
who clicked her teeth
to the rhythm of the rocker.

I’ll quit tomorrow 
after I write the actual last poem.
Or maybe next week.





Day 14


On Center Street 

Pulling into the yard —
home again, home again,
jiggedy-jog, suitcases heavier
than when they went 
out. Steps on the porch
a creaky welcome, lock’s familiar
click and turn. Home again,
home again, jiggedy-jig.

Did we leave that light on? 
Was someone here?
Mail piled neatly on the table,
plants perky, upright. Vase
of flowers from the yard.

Back to center, 
back home where 
your neighbor has your key.

Thursday, May 9, 2013

May Poetry, Week 1




Day 1 


Needed It

I’ve always had it,
last minute luck when I needed it,
the luck that kicks in when dark
times might swamp me.

I’ve always seemed to be right
there where the luck fell
out of the sky, rounded
the next corner, made itself
available for the picking.

No money for shoes
for my kids,
and there was the fifty
blowing across the parking lot
in front of the shoe store.

No job to support myself,
and there was the call
asking me if I’d heard
so and so was hiring
because someone quit.

No food in the cupboard
and there was the bag
of groceries left on the porch,
and a twenty for gas 
in an envelope.

I’ve always had luck,
but now I’m thinking
if I needed so much luck,
maybe my life
was one big pile of disasters.



Day 2


Following

back roads without a map, going 
on when there is no more
road, paying attention
to no map, walking at night
without a flashlight —
swimming without water wings,
diving off a big rock
into a dark pond at midnight.
All of these fraidy-cat moments
are nothing compared to falling
in love. The the beads of sweat
that trickle between my breasts
at the touch of his hand 
when we first danced, the flush
of heat rising on my cheeks
at our first kiss, the little buzz
in my head when he played 
me a song he said was us. 
There’s no map for love. 
Only bravery and foolishness.




Day 3


Profuse and Profane

There, on the side of the road,
orange plastic bags filled with litter,
litter you tossed from your cars
as you whizzed by, heading
to or fro. There they are, bright bundles
growing like weeds along the highways.

Treasures of travel, profuse and profane
evidence of bad manners, there they are.

Gone are the signs,
the warnings of fines and penalties
for dropping onto the byways 
what you’re done using. Litterbugging
seems okay now, so much more to worry
us these days like that text message,
the price of gas at the next exit.

Better speed up, keep ahead of the traffic,
find a motel with a swimming pool.

There, on the side of the road, a sign: 
highway beautification
next 8 miles by the makers
of orange plastic bags.




Day 4 


Made Wrong
for Erin

Her thumb toes face the wrong way
she says at fourteen, wanting pretty
feet and perfect looks. Her nose
is crooked from a pitch into the street
over her handlebars at age nine,
she has cradle cap in her scalp
sometimes, though I tell her shampoo
residue, rinse better please.
She’s too short or too tall,
never just right like the last bed
in Goldilocks’ tale. She’s not pretty
enough, she says, made wrong somehow.
Now, at age forty-two, a little magic:
she’s beautiful, no matter
in what direction her thumb toes go. 




Day 5


Rained In

Rain floods the sill, window 
left open to birdsong last night. 
Tulips open too — wanting a drink, 
wanting bees’ legs
to reassure the future 
in this garden.
No garden for me today,
today filled with chores and desk.
No window open, 
no birdsong,
nothing moving in a breeze
that won’t get felt, no smell
of low tide, no rustle of budding trees
to swish me clear of boredom.




Day 6


Edmund White, Grand Flâneur

It took a dictionary to discover
what White meant, what kind of wanderer
he said was so invisible, a person
of shadow and corners, of doorways
and alleyways. A Flâneur, he said.

Words, little keyholes to strangeness, 
to mysterious folks
with bizarre habits, odd clothing, 
eyes that see what most do not. Words, 
like taxis that take us into holes
in the universe where up is down,
where tiny bottles are labeled 
Eat Me, Drink Me, like Alice. 

White knew, 
as Poe, Tolkien, & Lewis knew,
that the whole world is a map, 
a flâneur’s delight. Take a candle,
a pencil, and a notebook. Wander.




Day 7


Her Majesty, Beatrix

of the Netherlands
abdicated to her son, official
ceremony of stepping down, moving
off to the side, taking a break.
Queen Mother we say now, 
royal matron of her people, dowager
dearly loved, honored by all.

Benedict XVI, abdicated
to Francis, left by helicopter
to a safe house ( Castel Gandalfo,
which has nothing to do with hobbits, 
though there was a ring 
destroyed in the bargain).

Abdication is sometimes a holy thing
to do, sometimes cowardice in flight.

So ask: what’s happening
at Buckingham Palace?